RIVA SPLIT WATERFRONT - architeria.eu

http://www.architeria.eu/index.php?p=p_522&sName=books&sLang=en
Architecture exhibition. 16.05. - 30.06.2009. Berlin, Germany

RIVA SPLIT WATERFRONT


RIVA SPLIT WATERFRONT
Oct 2006 - May 2007
Photographs by: Mario Jelavic and Domagoj Blazevic

The city of Split, Croatia and its waterfront, the Riva, the embodiment of Splits history and character, are
among the most interesting and most remarkable sites in the Mediterranean.

The Split waterfront is an urbanized, open and accessible public space. It is, so to speak, the town’s living
room. It stands in front of Diocletian’s Palace, the home of the Roman emperor more than 1700 years ago.
Over the centuries the palace was transformed from a private residence into a town. In a related fashion its
waterfront also underwent numerous transformations of material, form, finish and functional use.
Considering its exceptionally valuable role in the city of Split, the competition guidelines for the waterfront
restoration had very precise requirements for respecting cultural and historical heritage, taking particular
care of the contact zone between the project area and Diocletian's Palace, a world heritage site protected
by UNESCO. In May 2005, an expert jury awarded the first prize to the design work of 3LHD architects
at the public competition. The project was completed by the agreed upon deadline and the Riva was opened
on May 7, the Day of the City of Split, by the procession of St Duje, patron saint of Split.

The waterfront is a focal point of community activity where the city meets the sea. 250 meters long and 55
meters wide, it is also the main public square, the space for all kinds of social events, promenade by day,
parade by night, the site of sport events, religious processions, festivals, celebrations and political rallies.
The 3LHD project rearticulates the space for all the events referred to above, harmonizing them on a new
integrated surface that adapts to all the usage scenarios while retaining the Mediterranean character of
the city’s socio-cultural symbol. The project’s goal was not to simply add a new modern layer atop the earlier
structure, but to free the existing surface of everything superfluous, establishing an infrastructure that meets
the needs of contemporary life.

The project development starting point was a modular network of concrete floor elements 1.5 x 1.5m, the
measure of a full stride of two steps in Ancient Rome, so called paces. The color of the concrete varies
from white to pale gray and its arrangement and concept is conditioned by the notion that the elements seen
from afar should make a pixel image of a rippling sea.

The modular floor covering is the framework for all the current and future purposes and determines the
arrangement and the positions of all the other elements of the public space: benches, green areas, outdoor
cafés, sunscreens, and structural elements such as manholes, water connections or distances between light
sources.

The project amends the detail that over the course of time the functional arrangement of certain spaces of
the waterfront was identified, but never architecturally designed. The northern part, along the palace and
buildings, always had a row of cafés, restaurants and pastry shops, which were removed from the façade
by the renovation project in order to enable free pedestrian movement along the buildings. The outdoor
cafés have become an element of spatial design both as a functional part and as a part of the visual identity.
Sunscreens, lights and other equipment, which used to have different shapes, sizes and colors, have
become a part of the image of the city from the sea and a unique element adapted to the climate, with
the motifs of masts, sailboats, sails and ships. The screens made for the outdoor cafés are useful not only
as the protection from sun and wind; the flexible project of this urban element enables its easy opening
and closing, of course depending on the weather, making it possible to set the sunscreen/sail vertically,
turning it into a projection screen by night. On holidays or during concerts and city festivals, it is possible
to have all the elements of the outdoor cafés – tables, chairs and the screen – completely removed to
enable the free passage of a large number of people across Riva. One outdoor café consists of an element
measuring 6x6 m, which is 16 (4x4) modules. The central promenade is 10.5 m (7 modules) wide and is free
of vertical elements over its entire length. It enables the passage of delivery and emergency vehicles.
The promenade is defined in space with the outdoor cafés on the north and with light sources, palm trees
and a series of three differently shaped parks on the south.

A very important design element of the new Riva, are the green elements that introduce the unexpected into
the project with their flowering, growth and scents, forging an unbreakable bond with nature. The primarily
Mediterranean but also aromatic, medicinal and spice plants include myrtle, oregano, basil, wormwood, thyme,
immortelle and lavender. As perhaps a symbolic element, there is also "brnistra", a species of acanthus, with
the Latin name of aspalathos which is said to be the origin of the name of Split. Plants are chosen for their
color and height: they are almost always short, not interfering with beautiful seascapes, and with adequate
colors that make the gray and green leaves look from afar like the rippled sea, like the colored concrete
elements. The plants' colors vary from a dull whitish-gray to lively silver and green tones; when the plants
flower, they get variegated accents, from stony soil to shrubs. All the chosen plants belong to
the Mediterranean climate and can stand the conditions on the Riva. They are mostly perennials, immune
to salt, thriving in the hot sun and demanding little water. The landscape project was done together
with Ines Hrdalo.

All urban elements were specially designed for the Riva and reinterpret the celebrated Mediterranean quality
of idleness. By night Riva becomes an ardent lungomare with the light sources following the particularities of
its different areas. The main promenade includes the basic lighting of the pedestrian zone. Tall lights, arranged
in an orderly manner along the promenade, shed a uniformly warm white light on the entire central stretch.
This is the first example in the world of the fifth generation of LED technology being applied to city lighting.
Similarly tall lights on top of the poles supporting the sunscreens have lamps that light the narrower northern
promenade. Urban elements were designed together with Numen – For Use design team and light designers
from Novalux.

The competition program asked for a solution for the entire area of Riva, covering 24,707 m2; in the end,
however, it was decided that the first phase would renovate only the central, purely pedestrian part,
covering 14,000 m2. The renovated area of Riva is a strip, some 55 m wide and some 250 m long, with
its longer side following an east-westerly course along the coast.



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